Three Best Friends. One Missing PawPaw.
An Unforgettable Search Party.

 THE HAROLD BROTHERS PRESENTS A FAITH+WORKS PRODUCTIONS “SEARCH PARTY: WHERE’S PAWPAW?
A FILM BY SHERRIE RICHARDS AND VICTORIA MONAI RICHARDS
STARRING VICTORIA MONAI RICHARDS   NIJAH BRENEA   DAISY FERNANDEZ WITH TICHINA ARNOLD AND TOMMY DAVIDSON AS “PAW PAW”
MUSIC BY MATT ORENSTEIN COSTUME DESIGNER MALCOM BACANI EDITED BY PATRICK LAWRENCE PRODUCTION DESIGNER KRYSTYNA LOBODA DIRECTOR OF PHOTOGRAPHY TAYLOR JAMES RANDALL
EXECUTIVE PRODUCERS SHERRIE RICHARDS KING HOEY TICHINA ARNOLD PRODUCED BY JOSEPH HAROLD JOEL HAROLD GRANT GILMORE
STORY BY SHERRIE RICHARDS   VICTORIA MONAI RICHARDS
DIRECTED BY VICTORIA MONAI RICHARDS

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WHERE’S PAWPAW?

 

| College student Noble Williams rushes home after receiving an alarming call: her PawPaw’s health has taken a turn for the worse. Joined by her two best friends — Sunshine, the tree-hugging optimist, and Nigeria, the flat-earth-government-is-behind-everything realist — they head home, running into a blindfolded Bird Box–inspired group along the way. Just another day.

| At the nursing home, PawPaw is thrilled to see Noble, but when they’re alone, he reveals something unsettling: “You gotta get me outta here — they gon’ wipe the floor with me.” Before Noble can react, the nurses return and escort her out.

| The next day, Noble, her crew, and Aunt MeekMeek are informed that PawPaw is missing. The only clue is his cryptic warning: “The clock is ticking…” which leads Noble to a goofy relic from her childhood — a giant Flavor Flav–style clock PawPaw always made her wear.

| From there, the group embarks on an absurd, high-energy hunt through eccentric townsfolk, bizarre situations, and hilarious dead ends, following PawPaw’s breadcrumb trail of clues. Search Party: Where’s PawPaw? is an early-2000s-inspired, feel-good, PG-rated comedy full of heart, chaos, and family love — a movie you watch for pure joy.

   IMDB  

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[ CAST ]

| Victoria Monai Richards    IMDB  

| Victoria Monai Richards is a rising filmmaker and actor whose bold comedic vision defines Search Party: Where’s PawPaw?. At just 22, she co-wrote, directed, and stars in the film, marking her feature debut under the family-run banner Faith+Works Productions. With a growing digital footprint and a sharp sense for character-driven comedy, Richards introduces a fresh new voice in indie filmmaking. 

| Tommy Davidson    IMDB  

| Tommy Davidson is a legendary comedian and actor known for his iconic work on In Living Color, Proud Family, Booty Call, and his decades of stand-up success. A staple in American comedy, Davidson’s quick wit, physical humor, and heart-driven performances have made him a multi-generational favorite.

| Tichina Arnold   IMDB  

| Tichina Arnold is an award-winning actress and comedy icon known for Martin, Everybody Hates Chris, and The Neighborhood. With a decades-long career in TV, film, and music, she remains one of America’s most beloved comedic performers.

| Nijah Brenea   IMDB  

| Nijah Brenea is an actress and comedian known for her standout appearances on HBO’s Rap Sh!t and Netflix’s Ruth and Boaz. With sharp comedic instincts and a growing digital presence, she brings fresh, unpredictable energy to every role.

| Daisy Fernandez   IMDB  

| Daisy Fernandez is an actress and content creator featured on HBO’s Rap Sh!t, known for her lighthearted humor and warm screen presence.

| Christina Catechis    IMDB  

| Christina Catechis is an actress and comedian with appearances in the Jennifer Lawrence film No Hard Feelings, along with multiple indie and digital comedy projects.

[ FILMMAKERS ]

| Sherrie Richards   IMDB  
| Executive Producer

| Joseph & Joel Harold   IMDB  
| Producers

| Taylor James Randall   IMDB  
| Cinematographer

| Patrick Lawrence   IMDB  
| Editor

| Matt Orenstein   IMDB  
| Composer | Sound Design

| Donovan de Boer   IMDB  
| Animator | Marketing

| Some of my favorite childhood memories are going to the movies with my dad — sitting through the trailers, giving our up/down/maybe ratings, then rushing to the car to debate which movie we’d see next. Those moments mattered. They were simple, fun, and full of family.

Somewhere along the last decade, that kind of film — the kind you can watch with your mom, your brother, your kids — became rare. Everything became heavier, more “important,” more political, or more explicit. And while there’s space for all of that, I missed movies that simply brought people together.

That’s why my mom and I started Faith+Works Productions: to make films for family, by family. Stories full of joy, silliness, heart, and originality.

This film came from a very real place. When I was 19, I was cast in an HBO show created by Issa Rae — my first major project. The two women I acted alongside became like sisters. We were newcomers, figuring it out together, and during a goofy car scene the director looked at us and said, “Y’all need your own show.” That stuck with me.

Fast forward — we weren’t invited to the show’s premiere. It stung, but it also taught me something important: this industry won’t always hand you a seat. Sometimes, you build your own table. So my mom and I wrote a movie inspired by me and those two girls — our real personalities, our real chemistry, our own chaotic humor.

I directed this film at 22. I didn’t have all the technical vocabulary, but I had vision, preparation, and an incredible team of seasoned professionals who supported me. And I had confidence in God — if He positioned me here, He’d equip me to lead. Bonus: having my mom as Executive Producer meant when I said, “We need more wardrobe budget and a specific color palette,” things… magically happened.

Ultimately, comedy itself inspired this project. Sometimes the most healing, transformative thing is simply laughing — the kind of laugh that makes your stomach hurt. We wanted to make a film where logic takes a back seat and joy drives the car. A film that lets people escape together.

My goal is simple: bring families together, introduce new fresh faces to the screen, and spread joy. That’s what Christ does for us — and that’s what we hope this film reflects.

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| Faith+Works Productions

A family production company, led by a mother-daughter creative duo, dedicated to creating joyful, family-centered stories told with faith, heart, and originality.

| Mission

To make films for family, by family — stories that lift spirits, spark laughter, and create meaningful shared moments.

| Founders

Sherrie Richards — Christ-follower, former Wells Fargo Managing Director of 22 years, filmmaker, mother of 2, grandmother of 3.
Victoria Monai Richards — Christ-follower, former IMG Academy track athlete/graduate, filmmaker, director, and professional joke-teller.

| Story Philosophy

We tell stories that blend heart, humor, absurdity, and faith — the kind of tales that make a banana slip on itself, turn to an apple, and say, “Orange you glad I moved out your way, mon?” (Yes, the banana is Jamaican.)

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©2026 FAITH+WORKS PRODUCTIONS. All Rights Reserved.

Sherri Richards
Sherrie Richards, from Bank Teller to a Managing Director of Sales & Trading at Wells Fargo Securities, LLC, left a 22 year career in 2022, to ensure that her daughter never has to go against her Christian values to do what she loves. Known for her leadership and tenacity. She has transitioned seamlessly into the production world and now heads the family’s production company Faith+Works Productions.
Joseph & Joel Harold
Joseph & Joel Harold are twins and are both producers, and writers, Originally from Georgia, Atlanta, they both studied at Georgia State University, earning degrees inMass Multimedia Communications, and Computer Network-ing Systems. Being from a military family, their primary focus was finishing school and going directly into the Air Force.

That changed during the summer of 2011, when they caught the spark of filmmaking and decided to move toLos Angeles. Together, they have written and produced several short films.and web series that have screened at numerous film festivals, such as the Atlanta Film Festival, HollyShorts Film Festival, and Hollywood Reel Festival, to name a few.

Taylor James Randall
Taylor James Randall is an American cinematographer who is best known for his recent work on Tyler Perry’s A Madea Homecoming (2022) where he made his feature debut. He is also credited with thriller Titanic 666 (2022), and 20 episodes of TV network drama series, All the Queen’s Men (2021/2022), and 44 episodes of Sistas comedy drama series (2021/2022).

His career began in 2007 in the music video arena where he honed his skills working with A list artists in all genres of music. Including the memorable DJ Khaled ft John Legend & Nipsey Hussle “Higher” music video that took home Taylor Randall Director of Photography the 2020 BET award for video of the year. He is noted for being innovative with techniques to create and collaborate on projects to attain an authentic representation on the screen, and adhering to financial parameters.

Patrick Lawrence
Born July 1st, 1984 (3 weeks after it premiered), Patrick Lawrence has been a Ghostbusters fan his entire life. It is a passion that has carried over from hobby to profession, as Ghostbusters: South Side has allowed him to take ten years of filmmaking experience and apply it to a franchise he holds so dear.

Patrick is a Los Angeles-based Editor and Director, originally from St Louis, Missouri. He has edited 14 Feature Films since 2014, including the horror-comedies, Scare Me (Shudder) and Clara1s Ghost (MGM) – both of which world premiered at the Sundance Film Festival.

In addition to having 6 films premiere at Sundance, projects that Patrick has edited have screened worldwide at SXSW, Tribeca, Cannes, LA Film Festival, AFI Fest, Outfest, Atlanta Film Festival, BFI Future Film Festival, and more!

Outside of theatrical, Patrick is also an accomplished Episodic editor, serving as Lead Editor on Seasons 1 & 2 of Bonding (Netflix) and the second season of This Close for Sundance TV. Lawrence believes “The Ghostbusters franchise is ripe with untapped potential and together, with the Harold Brothers, we felt that there was an opportunity to tell a fresh tale -One of inclusion and representation, that allows everyone to come to the play- ground and prove that ‘they ain’t afraid of no ghosts.”

Matt Orenstein
Matt Orenstein — Composer / Sound Designer
Composer, Sound Design & Score

Notable Credits: Matt is a Los Angeles–based composer who’s scored several shorts, features and trailers; his work includes the documentary short Nearside: Pink Mahogany (Webby-nominated) and festival films shown at festivals such as SXSW, Cinequest, Santa Barbara, Chicago Indie and more. On This Film (“Search Party: Where’s PawPaw?”): Matt delivered a full-spectrum soundtrack—blending funk, classical, and atmospheric scoring to match the film’s comedic chaos, emotional beats, and urban-Southern flavor. His versatility gave the film its sonic identity

Donovan DeBoer
 Donovan DeBoer — Animator / Visual Marketing & Design Director
Animator, Poster & Key Visual Designer, Marketing-Creative Director

Background: Donovan is an award-winning visual artist and creative director, with over 15 years of experience in graphic design, motion/animation, film marketing, branding, and multimedia campaigns for both entertainment and commercial clients.

On This Film (“Search Party: Where’s PawPaw?”): Donovan translated our film’s tone — chaotic, comedic, slightly gritty but fun — into eye-catching visuals: animated segments, promotional posters, and branding assets that communicated exactly what the film is: a wild, hilarious hunt with heart. He turned rough ideas and pitch-notes into polished, high-impact art.